The contrasting appearance of color fill against the  backdrop of a sandcarved product adds a stunning element. Products that are  dark in color, such as red wine bottles, black granite, ceramics and dark  glass, are prime materials that benefit from a color application—and in some  cases require it. Stone and wood surfaces also require color fill.
                Color Splash: Next-level Sandcarved Finishes
Tips, tricks and common mistakes to avoid when  adding color fill to sandcarved pieces. 
Liz Haas, sales representative, Rayzist  Photomask
(Originally printed in the September/October 2023 issue of Insights.)
The contrasting appearance of color fill against the  backdrop of a sandcarved product adds a stunning element. Products that are  dark in color, such as red wine bottles, black granite, ceramics and dark  glass, are prime materials that benefit from a color application—and in some  cases require it. Stone and wood surfaces also require color fill.

That being said, color fill isn’t required for every  finished product; sandcarved pieces already have an impressive appearance  without it. After all, people love to feel the depth or relief etching of  sandcarved surfaces. But color fill takes that richness to the next level, and  the even higher value leads to a higher sale price. When trying to move these  pieces, we recommend displaying a sandcarved wine bottle with no color and one  with color fill to showcase just how rich these pieces can be.
When done right, color fill can be profitable, challenging  and fun. Some may find it intimidating or labor intensive, but there is also a  whole group of us that finds it rewarding, too.
Painting Prep
You don’t need a large area, but you should have enough room  for a paint booth, stored paint and supplies. A dedicated small table is ideal,  and a paint booth with an exhaust fan (vented) is highly recommended. Adding  paint filters inside the paint booth will help capture the paint material in  the air, protect the original look of the paint booth and provide a soft  cushion for glass products. We also add a charcoal filter to the exhaust fan,  which helps with fumes. Keep painting masks available, which can help reduce  fume intake. Even if you have a paint booth with an exhaust fan, it is  important to wear a mask, especially when painting several items at a time.

All images courtesy of Rayzist Photomask
Good lighting is also important and allows you to clearly  view the painted areas on your projects while avoiding missed areas or uneven  coats. We added an LED light bar atop the paint booth to provide bright light  on painted items. Light also helps fix any mishaps prior to peeling the  sandcarving stencil.
Painting Keys
Color filling requires quality paint and proper painting  techniques. At Rayzist, we recommend mural artist paints. We’ve used these  paints for the past 16 years, and they’ve proven to be durable for etched  surfaces. Mural artist paints come in an amazing selection of colors and  several shades, such as metallics, gold and silver.
Mural artist paints such as Montana’s black and gold series,  MTN, Belton Molotow and 94 are all quality brands. Belton Molotow is known for  its premium pigments, with vibrant and attractive colors. Depending on the  brand, paints may have a glossy or matte finish. We have found that glossy  paints require a slightly longer dry time.
Stone Tone paint is used mainly for stone, brick, granite  and wood surfaces. It’s high-pressure paint and durable for outdoor wear. We  highly recommend a clear coat prior to the color fill for porous stone  surfaces. The clear coat will create a seal and eliminate or reduce bleeding.  Paint bleeding is common on extremely porous stone surfaces.
In general, painting techniques are critical for a  successful color fill. The techniques are not difficult but require patience  and time; the painting process cannot be rushed. Once the product is  sandcarved, use a blow gun to remove any loose abrasive material on the  surface. Prior to painting, shake the spray can well, and do a test spray to  ensure no spitting occurs. Spitting happens due to three common problems:  poorly mixed paint, a clogged cap or a spray nozzle that is not completely  engaged.
To avoid overpainting, spray in short spurts, sweeping the  etched area. Paint in light coats from various angles and avoid spraying at a  90-degree angle. Spraying light coats from various angles ensures the paint is  applied on the edges or sides of etched areas. Painting the edge 
or the side of the etched area cannot be achieved from a  90-degree angle. Take your time painting, and examine the surface as the color  fills in the etched area.
Allow the paint to fully dry, which can take 30 minutes to  two hours depending on the painted surface’s size. Use your finger to test if  the paint is dry. Touch outside of the design: If there is a fingerprint or a  tacky surface, then the paint is still wet. Once the paint is dry, remove the  stencil/mask, and clean the surface. We prefer to use plastic razors across the  surface to remove the photoresist stencil. Spray glass cleaner over the surface,  and then use the razor to shave off the resist. Glass cleaner or running water  will provide a lubricant to prevent scratching.
There is a difference between high- and low-pressure spray  paints. High-pressure paints are common and essential for painting large areas.  The spray is fast and delivers a higher volume of paint in one spray. However,  high-pressure paints generally result in overpainting for people who are new to  paint applications. Fortunately, most items that are sandcarved and color  filled are small and don’t require high-pressure paints. Less paint is  disbursed per spray with low-pressure paints, giving users more control over  every spray. This is key with detailed images or small items. Less is more for  painting sandcarved items.
Common Fails
The No. 1 mistake for color fill is the paint lifting when  the sandcarving stencil is removed. This is usually a result of overpainting  and/or a lack of separation between the sandcarving stencil/mask and paint in  the etched area.

Another common failure is with paint chips. We see it quite  often when customers begin to paint and purchase paint from a local hardware  store. This type of paint may or may not work. It is important to use paint  that has been proven effective for glass, stone and other sandcarved surfaces.
Be sure to also look out for uneven coating or missing paint  from detailed areas. Start with quality paint and shake the can well; faintly  mixed paint can result in inconsistent colors. We cannot stress this part  enough—the paint must mix properly. We recommend shaking the can for five to  eight minutes to achieve that mixture.
Paint missing from detailed areas is frustrating, but  patience is key. The paint material particulate may be too large to work its  way into the detailed area. Each spray should target the detailed area, and the  distance from the spray can to the mask should be approximately 5 to 6 inches.  This distance will allow the paint to work its way into the etched areas.

If you are new to adding a color fill on sandcarved  surfaces, then you must practice painting on every surface you can find—metal,  glass, wood, ceramic, stone and more. Developing painting skills through  practice will give you confidence. And having the right products, tools and  processes will set you up for success once those orders do fill in.

Liz Haas recommends storing paint properly and keeping all paint-related supplies near the paint booth.
Three Color Fill Tips
1. Store paint properly. We keep our paint on a rack  next to the paint booth. The rack stores each spray paint can on its side,  which creates an easier mixture. Plus, the paint cans are organized, and it’s  easy to view all the colors.

2. Keep paint-related supplies on hand and near the paint  booth. We have a box of disposable gloves to protect fingernails and hands  from paint overspray. Extra paint caps are crucial. Caps will clog, and having  a replacement cap on hand allows you to finish the job without delay. Another  important item is an acetone cap cleaner, which works like a gem. Place caps on  the can and spray so the acetone cleans the cap by removing paint residue. A  few other helpful supplies include plastic razors, metal razors, disposable  paint cloth for cleaning and Q-tips.

3. Know your colors. What type of colors are you  offering? Is it every color under the sun, primary colors or only a few? Keep  it simple to start, and offer gold, silver and black, adding additional colors  per client requests. Keep track of the colors to help with repeat orders.

 
Read more "How To" articles