Over the past two years, the possibility to generate apparel  revenue has become as strong as ever, thanks in part to so many customers  starting small businesses, says Sue Wilcosky, marketing manager of Stahl’s  Transfer Express.
                The Perfect Fit 
There are plenty of ways to begin offering apparel  products, including producing everything in-house or outsourcing most elements  of the process. 
By: Matthew Blake
(Originally printed in the March/April 2023 issue of Insights.)
Over the past two years, the possibility to generate apparel  revenue has become as strong as ever, thanks in part to so many customers  starting small businesses, says Sue Wilcosky, marketing manager of Stahl’s  Transfer Express.
For shops looking to break into the apparel industry, there  are two main routes to pursue. On the lower-cost side, shops can focus on just  one component of the garment process, like vinyl transfers or screen printing.  This method allows retailers to field smaller orders and build up relationships  with new clients while also creating opportunities to outsource work.

For the equipment ambitious—and those with a built-in market  to sell large quantities of apparel—shops can also look to do all types of  apparel work in-house. 
Of course, the route you choose doesn’t have to be rigid.  Lincoln, Nebraska-based Rixstine Recognition, for example, has made major  equipment investments to make T-shirts, hats and other clothing. But, according  to President Tim Hoffman, Rixstine will outsource a few jobs a year if the  “customer has time and it’s a print that is specialized and the quantities are  high enough.” 
A key to entering apparel, Hoffman says, is being dynamic  and flexible with customers’ orders. “It’s all about getting the customer the  best price for what they are asking for,” he says. This requires a company to  know what they can realistically do in-house and what must be contracted out.
Getting Started


Rixstine Recognition's apparel process in action
Retailers can choose from any one of the following processes  to get started with apparel: direct-to-garment printing, embroidery, screen  printing, transfers, sublimation and more. 
All of these processes come with advantages and  disadvantages. Vinyl transfers, for instance, are low cost and great for  producing small-batch orders, but the designs can fade over time. With screen  printing, meanwhile, designs last a long time. However, the process can require  more work space and involve more production steps. 
A direct-to-garment printer has features like producing one  shirt with 50 colors, Hoffman says, “But the equipment is high-maintenance, so  you better have jobs for it, or it will be a doorstop.” In general, your  potential customers and the types of orders they will request will help dictate  the equipment you’ll need. 
One low-cost entry point for retailers is to use the lasers  that many in the industry already have. Greg Azorsky of KC Cool in  Independence, Missouri, uses a CO2 laser to cut a vinyl material (Azorsky’s  vinyl of choice is Thermoflex) into decorations that will go onto an apparel  piece. Then, Azorsky places the decoration over the apparel on a heat press.  (Azorsky also oversees the awards and engraving shop Recognition Plus.)   
With this method, Azorsky advises simple designs with few  colors. His rule of thumb is no order should have a quantity of more than two  dozen. Those requests are too time-consuming because each laser decoration is  done one at a time. He also says it’s too time-consuming to pursue an order  with several colors, since a CO2 laser decorates one color at a time. Azorsky  will outsource more elaborate orders to a business that owns a silk-screen  printer.  
In general, outsourcing some or most of the work can be a  good starting place for apparel. Several companies, including Stahl’s Transfer  Express, have a custom transfer business model. With Stahl’s, retailers send a  custom design, with prices partly dependent on the number of color inks used. 
Once Stahl’s receives the design, they make and ship the  transfer paper back to the retailer. At that point, all the retailer has to do  is put the design that’s on the transfer paper into a heat press. “We provide  our customers with a no-mess, low-investment way to print apparel,” Wilcosky  says, noting a business just needs a heat press to start. 
To test if you’re ready for this type of outsourcing work,  shops can start by designing art using software that’s often already in-house,  such as CorelDraw. This may not instantly generate revenue, but it can be a way  to test a concept and see if you have a talent for apparel design or have  identified a demand in your local market.
Owning a particular piece of equipment that can handle  larger designs, like a silk screen printer or an embroiderer, is yet another  easy entry point, she says. “You find your niche,” Wilcosky says. Ultimately,  she says, you want to become the destination for people seeking that particular  niche.
All In
For shops looking to fully dive into the apparel industry,  there are a lot of different equipment options. Screen printers, which require  a big capital investment, are one of the most common. A manual screen printer  tends to have up to four stations to insert T-shirts, sweatshirts and other  apparel types. These machines require someone moving the garments from station  to station. An automatic screen printer, which generally costs more, offers the  advantage of more stations, with the T-shirts moving automatically.

Inside Greg Azorsky's KC Cool shop
The Planter Companies is the parent company of long-standing  APA member Victory and its newer sister company, Classic Screen Print, which  operates in suburban Chicago. The Planter Companies has invested well over $1  million on screen printing equipment with those resources sitting across the  company’s 20,000-square-foot warehouse, says President and Owner Eric Priceman.  This facility sits about six miles away from Victory and has over 20 employees.  These investments include automatic and manual screen presses with over 10  stations, plus industrial dryers that emit infrared light to heat and cure  garments. While his company has invested heavily, Priceman recommends  proceeding with caution when buying more expensive machines unless you know exactly  what type of order they will be used for. Priceman says many retailers who  offer personalized products like awards do not have the space or desire to  screen print or embroider. However, more than likely their customers are buying  decorated apparel, but not from them. Priceman says his pitch is simple,  “Classic Screen Print offers retailers the opportunity to offer apparel without  the headaches and/or costs of production.”
Part of the issue is that while screen printers are the  biggest capital investment, they are not the only equipment needed for apparel  design. A somewhat standard job for Priceman can illustrate why. Priceman’s  core clients are middlemen who sell to high schools and associations. As a  hypothetical example, Classic Screen Print might get a T-shirt order to  commemorate a high school volleyball team making a state tournament, or  multiple garments for leagues and/or camps. To execute these orders, Classic  has a full-service art department, a number of printers and a multitude of  different software such as Adobe Illustrator, CorelDraw or Inkscape to make the  design. Once the design is approved by the customer, it proceeds into  production.

Stahl's transfer Express helps retailers outsource some of the apparel process.
The design will need transfer paper, an evolved form of  carbon paper with the waxy feel of tracing paper. The paper is taped to the  mesh screen at the bottom of the screen printer. The window-shaped mesh screens  require a spray gun to clean. 
Ink is squeezed or brushed onto the mesh screens to create  the color design, with each screen getting a separate ink. With the volleyball  T-shirts, for example, black ink for the volleyball nets might go onto one  screen, white ink for the ball on another, red ink for the lettering declaring  the team sectional champs onto a third screen and navy blue ink for the school’s  name on a fourth. 
The ink itself is often plastisol, a fairly viscous  substance. But sometimes it is a water-based ink that can soak into the fabric  as opposed to sitting on top of it. 
Another moving part is the garment, which tends to come from  wholesalers and is often referred to as apparel blanks. But increasingly they  are not blank, and ordering the right garment is strategic. “At least 50% of  shirts have a brand affixed to them,” Priceman says. “Everything today is  brand. Nike, Under Armour, Puma. We have aligned ourselves with all the  different distributors that can provide us those garments.”
Customer Care
Azorsky markets KC Cool by vending at city functions like  special events at Kansas City art galleries and outdoor holiday gatherings.  Much of his apparel is Kansas City-themed.
Wilcosky of Stahl’s Transfer Express markets at convention  centers and expo halls. “We attend trade shows and are a large part of the  education offered at those shows,” she says. Education is key. “Many of our  customers are home businesses.”
Apparel designers, Hoffman notes, must also be nimble enough  to change orders based on customer requests while also making it clear to them  that there are limits to order adjustments. “Customers want to know how fast  you can get it done, so be prepared for that question, and also be prepared for  when they want another 20 shirts on a 1,000-piece order that you already did,”  Hoffman says.
Rixstine Recognition can prorate the price of an additional  20 shirts if they have already run the garments, Hoffman says, though requests  for different colors or design proportions necessitate a new order.
Also important is letting customers know exact turnaround  times and ship dates, which helps provide clarity to employees to figure out  work priorities and “makes a big difference to customers,” Wilcosky says. The  need for speed is a constant challenge in the apparel industry. As Wilcosky  says, “In the Amazon world, no one can wait.”
Should You Get a Screen Printer?
Sure, apparel design can be a complicated business that  requires heavy capital investment and technical skills, such as knowing the right  ink to use for certain projects. But it doesn’t have to be so involved, either.  Companies can do smaller orders or focus on just one piece of the apparel  puzzle, like decorating or design transfers.
For people looking to break into the apparel business, Eric  Priceman of The Planter Companies recommends dabbling in the business first. “I  would never suggest that people get into this kind of equipment without  understanding it totally,” he says. Go with a third party first, Priceman says,  and once the process is understood, invest in the equipment itself.
Kelly Walters, the marketing and events coordinator at  Stahl’s Transfer Express, suggests getting started with a heat press. From  there, a business can outsource making the ink-colored design or use a process  like Therma flex on transfer paper to create the design.
Given the high cost, it might not make sense to get a screen  printer unless customers are requesting multiple orders of dozens of T-shirts,  hats or sweatshirts. Some customer bases, like large high schools or  businesses, might provide incentive enough to buy a screen printer. But many do  not. “Doing your research and understanding your customer base is the best way  to be successful,” says Walters. 
If demand to produce a lot of orders exists and you are  considering making that capital investment, be sure to fully test out the  screen printer (or heat dryer) before making a purchase. “The machinery at  trade shows works great there, but it might not in your environment,” says Tim  Hoffman, president, Rixstine Recognition. “Make sure to have them run as many  tests as you can.”
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